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SAMSUNG GALAXY J7 PRO
Samsung Galaxy J7 Pro
Samsung expanded their J series with the magnificent launch of Samsung Galaxy J7 Pro earlier this July. The Galaxy J7 series includes Galaxy J7 Prime, Galaxy J7 Core, and Galaxy J7 Pro.
Samsung Galaxy J7 Pro is a perfect mid-range Samsung phone with whooping 13 MP Camera, stylish unibody design, and great performance.
Design
This phone comes in 2 colors which includes gold and black. The unibody designed metal body is complacent in hand. It has a home button along with a capacitive button on each side. The power button is on right while volume keys are on the left side. The 3.5mm earphone jack is available at the base of the telephone.
Camera
It comes with a whopping 13MP front camera for superb selfies and 13MP rear camera. Camera’s performance is exceptionally great in daylight. It can capture video resolution up to 10801p*30fps. And not to forget, Samsung's processing image software which always enhances image quality through effects.
Performance
The Samsung Galaxy J7 Pro has 1.6 GHz processor with 3GB RAM and 16GB ROM which is sufficient enough for normal multitasking. Its Internal storage is 32/64 GB which can be expanded by a Micro Sd card. Also, its gaming performance is also good, making it a perfect mid-range phone.
This does not look a bad deal at all. Visit https://wishymall.myshopify.com/blogs/news to order online. It is available for just Rs. 33,999 with free delivery across Pakistan exclusively from wishymall.myshopify.com
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Ranandywaf says...
On May 06, 2025
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The co-directors of Berlins Generation section talk about its new venue and why film-makers keep coming back for more. Its quite remarkable, says Maryanne Redpath, who has been director of the Generation section since 2004. We have a lot of filmmakers coming back to Generation who were here with films in the past, .Esben Toft Jacobsen from Denmark here this year with The Great Bear and Israeli filmmaker Nir Bergman with Intimate Grammar were in Berlin with short films as was Anne Sewitsky whose new film J酶rgen + Anne will open the Kplus competition. On the one hand, we have a lot of happy returns, but there are also many feature debuts this year, Generations co-director Florian Weghorn adds. In terms of films for young people and teenagers, the subject of coming of age is bec stanley thermobecher oming almost an epidemic in the film world, Redpath continues. We also have some cross-section scre stanley polska enings from other Berlinale sections dealing with the process of growing up, and there were no less than five in the Competition that we could have shown on this subject. The process of growing up in different backgrounds and cultures is really interesting in terms of conflict which is the basis of good filmmaking and stories that get told. This is being recognized across the board and we are happy about that – it is a confirmation of our work over stanley cup all these years. Meanwhile, this year sees Generation moving from the Zoo Palast to the House of World Cultures HdKW in the Tiergarten previously known a Wyea Besson directed secret b/w feature over the summer
South Africa s indigenous films often do well at the box office; the biggest star Leon Schuster s broad slapstick comedies, for example, regularly trounce Hollywood competition. Yet local production virtually ground to a halt last year when the National Film Video Foundation s Nfvf $5.6m r37m budget was slashed by a third despite the success of Tsotsi and U-Carmen E-Khayelitsha. It was a huge blow, but this year the funding was reinstated. We re back where we were, says Ryan Haidarian, Nfvf s head of pro stanley usa duction and development.But optimism is growing. On top of funding from the Nfvf and the government-owned development bank Industrial Development Corporation IDC , which invests in local films and international co-productions, there is also an anticipated Department of Trade and Industry DTI revamp, which is expected to drop the qualifying expenditure for its tax inc stanley de entive to $1.8m r12m while increasing the rebate for local films and South African co-productions to 35% for the first $900,000 r6m . There is real hope that homegrown production levels can equal the 15 films made in 2004-05. It would leverage us up immensely, says Jeremy Nathan of production outfit Dv8 Films. We d have the beginnings of an industry and the best wi stanley uk ll travel. Nathan s Dv8 produced Bunny Chow, a tale of three stand-up comedians road-tripping to South Africa s biggest rock festival. It played well at festivals last year, and its writer-director John Barker is developing two more pr
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